I think that appeals to the men, not the women. The move industry mostly caters to the male gaze, hence why the entertainment industry is rife with women wearing barely there clothing, especially the 007 franchises. Women donβt swoon over large age gaps and now that the move industry is becoming more inclusive of women, such as more female directors and the like behind the scenes, weβre seeing more close in age romances, weβre seeing story lines involving older women who arenβt relegated to the side lines of just being the mum of grandmother of the main character.In the movie industry starting with Bollywood, Hollywood, Masri, Turkey, and I think so is true in Latin America, almost always the leading hero, generally a gentleman of certain age and social standing, has a pretty temptress in tow, and if still married to his old muse, maintains a young coquette in the shadows; even in 007 movies, the seductress is almost always a damsel barely out of pubescence in a boyish frame.
Simply look at romances, specifically catered towards women and look at the leading man lol. A perfect example is that horrid sexualized movie that caters to the fantasy of women fifty shades or whatever. The lead is I think meant to be very rich, but also a young man. I remember when all the cadaan women would talk about it and posters were everywhere. When looking at female fantasies, usually the man is of a high social standing yes, rich yes, but also young albeit a few years older so 3-6 yrs with a good body. Thatβs an ultimate fantasy for a lot of women and I think thatβs why that disgusting movie did well and why you had a generation of young to even Middle Aged cadaan women were obsessed.
Turkish shows are a great one. They too always tend to have a lead a female lead who are of similar age. Very rarely have I seen a Turkish romance in which the lead is more than 10 years older. I used to watch it with my aunts lol but I remember as a teen when Turkish series first gripped Arabs and Somalis and the romantic drama, Nora and Mohanet comes to mind. The male lead was young, dashingly handsome and the same age as his arranged marriages wife Noura whom he learns to fall in love with.The obession that Somali and Arab ladies had with him and the plot man was fascinating to see as a young teen/tween.
Now, could not one act out one's fantasy in the real life? Could nomads not lift a leaf out of fantasy? After all, in thee days, the nexus between veracity and fantasy is a thinly gilded silhouette, a flimsy one at that, by all measures.
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